Now I Love You Best
Sonnet 115 / Many Have Asked How We Stay Together (Roxanne Hoffman)



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Sonnet 115 / Many Have Asked How We Stay Together (Roxanne Hoffman)
Sonnet 18 / In a Hot Country (Anne Cammon Fiero)
This is an evening-length dance project created in collaboration with choreographer Jessica Tupa.
Not About the War was composed for a performance by choreographer Boris Willis.
Artificial Intimacy is the result of a collaboration with Anna Sullivan for a performance in Columbus, Ohio.
Anna and the Annadroids: The Clone Zone is an evening length work by Anna Sullivan. I created a couple of tracks for her from recordings of my vintage Nintendo Gameboy and samples of her voice. From the official description:
An ever-evolving performance piece for vintage Nintendo Gameboy.
Flute Club comes from the tradition of composers working with popular dance forms. From the minuet and the gigue, to the waltz and the foxtrot, to the bolero and the tango, there is a rich history of music written in these forms. Now, one of our modern forms—the dance club—is explored as the basis for a new work. The thumping “four-on-the-floor” bass pounding out every beat, the droning, looping synth lines, the harmonic stasis, and the seemingly boundless energy of this style come to the fore here.
An early version of Transformation exists, called simply a/break: 1. I composed this quickly in the summer of 2006 as part of a collaboration with choreographer Amiti Perry. Eventually it was substantially revised as I began work on the a/break machinations album.
Every year I get tired of Christmas music. So much of it is terrible, and all of it is played too much. So one year I created Electric Xmas in the Window, a perfect antidote to the onslaught of saccharine drenched holiday cheer.
Use the files below to make your very own cd-envelope (download, print, and assemble) or to promote Electric Xmas by printing this flyer and hanging it in a public space.