The Funkish Variation
Based on a jazz-funk groove, this final variation is built from a couple of motives that are recombined in several ways.



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Based on a jazz-funk groove, this final variation is built from a couple of motives that are recombined in several ways.
This concise statement is short in length and articulation.
Charlie Parker's innovative bebop style is explored fully in this wild variation.
Derived from the minimalist style, this variation presents rhythm changes in its barest harmonic statement.
This variation, the second to use the blues form, is built around the tension inherent in "blue notes."
Bach's music is difficult for many pianists and can be an endless source of frustration. This variation only makes things worse.
For one hand only, this movement is composed from standard, left handed boogie-woogie patterns.
The stride style, a staple of the jazz pianist, is here given an unusual off-kilter treatment.
This simple movement is reminiscent of a mechanical music box.
In the orchestra the piano will be grouped with the percussion section, supporting the claim that it is indeed a cross between a percussion and a stringed instrument. Is the piano really just a big drum?