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Music for Dance

|| About || Albums || Projects || Performances || Works ||

Triage: Part 1

Thu, 08/30/2012 - 11:49am -- Dav

This is an electronic score to accompany dance by choreographer/video artist Ashley A. Friend. The score is played back through Max/MSP so that it can move from section to section with the dancers in real time. The dance was created as a way for Ashley to deal with her own experiences with epilepsy. Visually she draws inspiration from many sources, including many classic horror movie motifs. The sounds and music used in the score are taken from a variety of sources, cut apart, mutated, and carefully sewn together à la Frankenstein’s monster.

Abandoned Revolution

Thu, 08/30/2012 - 10:50am -- Dav

Part dance, part theater, part history lesson, part movie, part story, and part video game, Abandoned Revolution is not your average dance piece. When Boris Willis approached me about creating an original score I knew that the music had to be special. To that end I chose to create the entire score using a vintage Nintendo Game Boy and Nanoloop, a loop sequencer programmed for the Game Boy by Oliver Wittchow.

November 2-4, 2006 at Sullivant Hall, Ohio State

Landing

Wed, 05/16/2012 - 12:01pm -- Dav

The last project I worked on with Seen Performance was to be a series of series of short works created through round-robin style collaboration that join in the social mingling at local house parties, challenging where we see performance.

Box Shy

Thu, 05/10/2012 - 12:45pm -- Dav

The last project I worked on with Seen Performance was to be a series of series of short works created through round-robin style collaboration that join in the social mingling at local house parties, challenging where we see performance.

on the other side of the glass plate she wore nothing

Thu, 05/10/2012 - 1:01am -- Dav

When the doors open, the show begins.

The stage is scattered with wooden dowels and pvc fittings, but "performers" are absent. Three FOH Ladies in pretty dresses talk of clothing and whimsically burst into tiny ensemble dances. They generate a friendly mood, guiding viewers to become a single entity. Before the starting ritual is done, the audience – now a group – has built the set: two human scale boxes out of modular sections (ingeniously designed by Shana McKay Burns to play with the viewer’s visual perception of physical boundary). The Group fulfills a moment of choreography as they play together to decipher the correct construction method, and bring a new level of attention to the “stage” where the “performers” belong.

Where is Tokyo?

Thu, 05/10/2012 - 12:53am -- Dav

This piece is the product of a collaboration with choreographer Esther Palmer . My work included the construction of a virtual soundscape as well as a musical score.

An intriguing thing about this project was the union of the real and the virtual, the use of an animated environment to extend a real space. The combined space was conceived as a whole, creating the illusion of a larger world in which the piece was set. [see the floor plan]

The soundscape helped unify the perception real and the virtual, while maintaining a distinction between them. To accomplish this, the actual soundscape of the studio housing the set informed the sounds used in the animation soundscape.

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